The New Nonfiction 2024
Excerpts from Bones Worth Breaking by David Martinez, Little Seed by Wei Tchou, The Lucky Ones by Zara Chowdhary, The Exit Is the Entrance by Lydia Paar, and Come by Here by Neesha Powell-Ingabire.
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Excerpts from Bones Worth Breaking by David Martinez, Little Seed by Wei Tchou, The Lucky Ones by Zara Chowdhary, The Exit Is the Entrance by Lydia Paar, and Come by Here by Neesha Powell-Ingabire.
The first lines of a dozen noteworthy books, including Yr Dead by Sam Sax and Under the Eye of the Big Bird by Hiromi Kawakami.
The first lines of a dozen noteworthy books, including Call This Mutiny: Uncollected Poems by Craig Santos Perez and The Road to the Country by Chigozie Obioma.
The first lines of a dozen noteworthy books, including Bite by Bite: Nourishments and Jamborees by Aimee Nezhukumatathil and Good Monster by Diannely Antigua.
Artist Billy Renkl recounts his painstaking process for constructing the mixed-media collages that accompany the essays in his sister Margaret Renkl’s new book, The Comfort of Crows: A Backyard Year.
The first lines of a dozen noteworthy books, including Down Here We Come Up by Sara Johnson Allen and Good Women by Halle Hill.
Essays by debut authors Eirinie Carson (The Dead Are Gods), Leah Myers (Thinning Blood), Andrew Leland (The Country of the Blind), Jen Soriano (Nervous), and Jami Nakamura Lin (The Night Parade).
“My writer’s brain picks up little pieces here and there and puts them together.” —S. L. Wisenberg, author of The Wandering Womb: Essays in Search of Home
“Read more! Listen more! See more! Feel more! Take better notes!” —Laird Hunt, author of This Wide Terraqueous World