Every day the editors of Poets & Writers Magazine scan the headlines—publishing reports, literary dispatches, academic announcements, and more—for all the news that creative writers need to know.
9.17.24
Deesha Philyaw discusses truth-telling, how a corporate job can help a writer creatively, and the importance of mentorship and community in a conversation with the Creative Independent. “I would not have a writing career if I did not have community and mentors,” Philyaw says.
9.17.24
Andrea Lawlor writes about rereading Virginia Woolf’s Orlando in an essay for Electric Literature. “I felt one way at first, I feel differently now, I will likely feel a new way in the future,” Lawlor writes. “Like Woolf, I will resist explanation and merely say that reading, like life, is subject to revision.”
9.17.24
In an essay for Poetry magazine, Johannes Göransson considers the merits of mimicry in translation. “Mimicry allows us to think about translation in terms beyond mastery, competence, and ‘naturalness,’” he writes. “We need a model of translation that does not seek to contain the noise and transformations caused by translation, but instead finds poetry in this transgressive circulation.”
9.17.24
The shortlist for the Booker Prize 2024 has been announced, Publishers Weekly reports. The list includes Yael van der Wouden, the first Dutch writer to be shortlisted for the prize; Charlotte Wood, the first Australian to make the shortlist in ten years; as well as British, Canadian, and American authors. The winner will be announced at an award ceremony on November 12 in London.
9.16.24
Nicole Graev Lipson interviews Jerald Walker about his new essay collection, Magically Black and Other Essays, blending personal revelation and cultural critique to examine Black American life, in the Los Angeles Review of Books. “This book is about racial identity,” Walker explains, “how it’s formed and created, how you can learn to be a race, and how you can unlearn what race means through the course of a lifetime.”
9.16.24
An early version of William Golding’s novel Lord of the Flies that opens with the boys being evacuated in the midst of a nuclear war, and their plane shot down in an aerial battle, will be part of an exhibition marking seventy years since the novel’s publication, the Guardian reports. Golding’s manuscripts, notebooks and letters will be on display at the Bill Douglas Cinema Museum at the University of Exeter in England later this month.
9.16.24
Columbia College Chicago is considering cutting eighteen “underperforming” majors from curriculum, NBC Chicago reports. The list of programs under consideration includes the MFA in Fine Arts, BA in Creative Writing, and Cultural Studies. A final list of program changes, cuts and “consolidations” will be announced in early 2025.
Week of September 9th, 2024
9.13.24
A school district in northeast Florida must return three dozen titles to libraries as part of a settlement with students and parents who sued over what they said was an unlawful decision to limit access to dozens of books containing LGBTQ+ content, the Associated Press reports.
9.13.24
In a profile in the New Yorker, Richard Powers discusses his new novel, Playground, and its environmentalist message to resist human exceptionalism. While his 2018 novel, The Overstory, was focused on trees, his latest novel concerns the sea. Inspired by a book on coral reefs his late sister gifted him on his tenth birthday, Powers set out to write a novel that examined how much the oceans have transformed in the past five decades. “The largest part of the planet exhausted,” he writes, “before it was even explored.” (For more about Powers, read “A Talk in the Woods: Barbara Kingsolver and Richard Powers” in the November/December 2018 issue.)
9.13.24
The National Book Foundation announced the longlist for the 2024 National Book Award for Fiction. The list includes works by Hisham Matar, Percival Everett, Kaveh Akbar, and others. Winners will be announced at the 75th National Book Awards ceremony on Wednesday, November 20.
9.13.24
Betsy Gleick, who led Algonquin Books as its publisher for eight years, and an unspecified number of Algonquin staff will be let go as part of the ongoing reorganization of Workman Publishing by Hachette Book Group (HBG), Publishers Weekly reports. Founded in Chapel Hill, North Carolina, in 1983, Algonquin was acquired by Workman in 1989, which was then acquired by HBG in 2021.
9.12.24
The National Book Foundation has announced the longlist for the National Book Award for Nonfiction. Among the authors on the list are Hanif Abdurraqib for There’s Always This Year: On Basketball and Ascension, Salman Rushdie for Knife: Meditations After an Attempted Murder, and Deborah Jackson Taffa for Whiskey Tender. Winners will be announced at the 75th National Book Awards ceremony on Wednesday, November 20.
9.12.24
Oxford University Press (OUP) has laid off its U.S./North America design team and U.S. content transformation and standards team, Publishers Weekly reports. The OUP USA Guild said the layoffs included thirteen members of its bargaining unit, and come less than one month after the union ratified its first collective bargaining agreement.
9.12.24
The National Book Foundation has announced the longlist for the 2024 National Book Award for Poetry. The list includes poets at all stages of their publishing careers, and nine of the ten poets are first-time National Book Award honorees, including Fady Joudah and Diane Seuss. Winners will be announced at the 75th National Book Awards ceremony on Wednesday, November 20.
9.12.24
Nick Long discusses how he designed the sound for the audiobook adaptation of Darrin Bell’s graphic memoir The Talk (Henry Holt, 2023) with Publishers Weekly. Long explains that the audio effects “had to both complement and extend the spoken words—in addition to reflecting the absent images.”
9.11.24
A major Canadian literary award has dropped the reference to its sponsor, Scotiabank, from its name following months of protests over the bank’s investments in Elbit Systems, which supplies military equipment to Israel’s military, the Guardian reports. The Giller Prize, formerly known as the Scotiabank Giller Prize, will keep the bank as its main sponsor despite the rebrand. The change comes after more than thirty authors whose books would have been eligible for the 2024 Giller Prize withdrew their work from consideration in a collective statement published in July. In mid-2023, Scotiabank’s 1832 Asset Management was the third largest shareholder in Elbit Systems, and as of mid-August, the asset manager is the seventh largest shareholder, though they deny the protests influenced the reduction of their stake.
9.11.24
Tim O’Connell has been promoted from vice president and editorial director of fiction at the flagship Simon & Schuster imprint to vice president and publisher of Saga Press, the publisher’s speculative fiction imprint, Publishers Weekly reports. O’Connell will continue to acquire literary fiction and select nonfiction at Saga Press, which is approaching its tenth anniversary.
9.11.24
Former Doubleday executive editor Gerald Howard writes for the New York Times about Wilfrid Sheed's 1966 novel, Office Politics, and how it prepared Howard for his life in books. “The core insight I gained from my second reading of Office Politics was that if I thought I could stand at a remove from my place of employment and regard it as a kind of diorama or spectacle, I was deluding myself,” Howard writes. “As Rilke wrote, in a very different context: All this seems to require us. I was going to have to work with the materials at hand, pedestrian and unpromising as they might seem, to make of my life and career something meaningful. This was no small gift of self-knowledge to receive from a novel.”
9.10.24
The National Book Foundation has announced the longlist for translated literature, which includes titles originally published in Arabic, Danish, French, Mandarin Chinese, Spanish, and Swedish. Winners will be announced at the 75th National Book Awards ceremony on Wednesday, November 20.
9.10.24
Maggie Doherty writes for the New Yorker about Seamus Heaney and how he struggled to reconcile his vision of poetry with the brutality of the Troubles in Northern Ireland. Heaney wanted to honor the “secret and natural” elements of poetry while acknowledging the violent realities of the world around him. “The public poet concerned himself with the polis and its problems,” Doherty writes.
9.10.24
Elizabeth Harris interviews Liane Moriarty, author of eight best-sellers, including Big Little Lies (Penguin, 2014), for the New York Times. Moriarty has sold over twenty million books and several of her novels have been adapted for television, but the author is not interested in becoming a “brand,” she says.
9.10.24
In an interview with Electric Literature, Vietnamese German author Khuê Phạm discusses her debut novel, Brothers and Ghosts (Scribe, 2024), translated by Charles Hawley and Daryl Lindsey. The book explores how a Vietnamese diaspora family remains ensconced in historical trauma. “The dark experiences of being a refugee, of being in a country at war, they’re covered in silence,” Phạm says, “but somehow that silence is passed on from one generation to the next.”
9.9.24
For the By the Book series from the New York Times, Garth Greenwell discusses how foundational texts, such as James Baldwin’s Giovanni’s Room, can be both lifesaving to queer people as well as homophobic. Greenwell seeks “more productive, less facile conversations about ‘affirming’ literature and ‘positive representation.’”
9.9.24
Katy Waldman writes about the “literary bratdom” trend in contemporary fiction for the New Yorker. Focusing on books by the Zoomer and young millennial writers Gabriel Smith, Frankie Barnet, and Honor Levy, Waldman analyzes protagonists who identify as “brats” are “exuberantly ‘unlikable’” and jaded about the status quo.
9.9.24
Aaron Coleman writes about the Cuban poet Nicolás Cristóbal Guillén Batista and his under-examined masterpiece, The Great Zoo, for Poetry magazine. Coleman’s English translation of the collection, which originally appeared in Spanish in 1967, is forthcoming from the University of Chicago Press in October.
9.9.24
A new exhibition at New York City’s Morgan Library & Museum will focus on the life and career of its inaugural director, Belle da Costa Greene, honoring the centennial of her appointment, Fine Books & Collections reports. The exhibition, which will run from October 25 to May 4, 2025, will trace her roots in a predominantly Black community in Washington D.C., to her career at the helm of the library, where she was an authority on illuminated manuscripts.
9.9.24
Big publishers saw earnings rebound in the first half of 2024, Publishers Weekly reports. The news of first-half profit gains for HarperCollins, Lagardère Publishing, and Penguin Random House comes after extensive restructuring at all three companies that included job cuts.
Week of September 2nd, 2024
9.6.24
Little Free Library has produced an interactive map in collaboration with the American Library Association and PEN America in response to the nationwide surge in efforts to ban books from public and school libraries, Publishers Weekly reports. The map includes two main features: highlights, indicating where book bans are in effect at the state and county levels, and pinpoints, indicating the locations of Little Free Library’s book-sharing containers. The purpose of the initiative is to raise awareness about book banning and to leverage little free libraries to help distribute restricted books.
9.6.24
The National Book Foundation will present the 2024 Medal for Distinguished Contribution to American Letters (DCAL) to Barbara Kingsolver at the 75th National Book Awards ceremony on November 20. Author of fiction, nonfiction, poetry, investigative journalism, and science writing, Kingsolver has been honored by the American Booksellers Association, the American Library Association, the James Beard Foundation, and the PEN/Faulkner Foundation, among others. Her most recent novel, Demon Copperhead, won the 2023 Pulitzer Prize for Fiction.
9.6.24
Brendan Chambers puts Anna Kornbluh’s Immediacy, or The Style of Too Late Capitalism (Verso Books, 2024) in conversation with Daniel Wright’s The Grounds of the Novel (Stanford University Press, 2024) in an essay for Public Books on the value of literary theory. “To them,” Chambers writes, “literary theory can be either avant-garde or lyric, a tool for stepping back from the world or for more fully inhabiting it. Even as crises multiply, they assert that theory remains valuable.”
9.6.24
The New York Public Library will be opening a new exhibition on Lord Byron tomorrow, September 7. The exhibition explores the life of Byron (1788-1824) and features the cantos of Don Juan and other literary manuscripts, a portrait by Thomas Hargreaves, and letters from Byron’s mother, friends, and mistresses.
9.5.24
NaNoWriMo, an annual challenge in which participants write a novel of at least 50,000 words in one month, has refused to “explicitly support” or “explicitly condemn” the use of AI assistance, the Atlantic reports. Many participants were angry at the organization’s decision but Gal Beckerman, a staff writer at the Atlantic, does not mind: “The world needs fewer novels, certainly fewer novels that have been written in a month,” he writes. “And artificial intelligence is itchy for distractions; we need to give the robots something to do before they start messing with nuclear codes or Social Security numbers.”
9.5.24
The Second Circuit Court of Appeals unanimously upheld a March 2023 court decision finding Internet Archive’s program to scan and lend print library books is copyright infringement, Publishers Weekly reports. Judge John G. Koeltl forcefully rejected the Internet Archive’s fair use defense and concluded that the organization’s use of the Works is “not transformative” as their counsel argued.
9.5.24
The Black List, an annual survey of Hollywood’s best unproduced screenplays, founded in 2005 by Franklin Leonard, is expanding into publishing, the New York Times reports. Leonard hired Randy Winston, the former director of writing programs at the Center for Fiction, to oversee the Black List’s development of a team to read and evaluate manuscripts. Like screenwriters who use the site, fiction writers can create a public profile on the Black List for free. They can post a novel-length unpublished or self-published manuscript on the site for a monthly fee of $30, and receive professional feedback on the first one hundred pages of their manuscript for $150.
9.5.24
In an interview with Renee H. Shea in World Literature Today, Threa Almontaser discusses her collection The Wild Fox of Yemen (Graywolf, 2021), which received the Walt Whitman Award for best first book in 2020, her approach to craft, and her belief in poetry as a tool for social justice. “Poetry empowers hope,” Almontaser says. “And hope empowers the movement.”
9.4.24
The National Book Foundation announced it will present the 2024 Literarian Award for Outstanding Service to the American Literary Community to W. Paul Coates at the 75th National Book Awards ceremony on November 20. Founder of Black Classic Press and BCP Digital Printing, Coates has published original works by authors such as Amiri Baraka, Bobby Seale, and W. E. B. Du Bois.
9.4.24
Ledia Xhoga, whose debut novel, Misinterpretation, was published yesterday by Tin House Books, discusses translation, migration, and writing in two languages at once with Electric Literature. “The translations, interpretations, everything—it happens because you are on a border,” Xhoga says. “That’s your reality, so that’s where you have to exist.”
9.4.24
On September 7 the Harlem Book Fair will celebrate 26 years under the theme of “literary revolution,” according to Publishers Weekly. Founder and publisher Max Rodriguez says the event is intended as a “rebirth” of the historically Black neighborhood’s literary lineage. Rodriguez planned to shutter the event after last year’s event, but with additional support from publishing veteran Yona Deshommes, the fair is back with a global focus, fourteen panels, and roughly one hundred exhibitors. It has also partnered with Harlem’s own Caribbean Cultural Center Diaspora Institute (CCCDI), and authors of Haitian backgrounds will be prominently featured in the programming.
9.4.24
PEN America reports that Russia’s crackdown on free expression is escalating: Three independent publishing projects and two small resellers were added to a list of prohibited websites and accused of publishing content containing “fake information” about Russia’s war in Ukraine, “LGBT propaganda,” and discrediting Russian government bodies or its Armed Forces.
9.3.24
Fewer books are published during the fall of a presidental election, the Washington Post reports. It is harder for authors to book promotional media appearances or garner attention from social media influencers and book bloggers with the news cycle around an election. Christina Ward, vice president and editor at the publisher Feral House, described publishing at the peak of an election cycle as “an unforced error.”
9.3.24
More than 180 council-run libraries have either closed or been handed over to volunteer groups in the UK since 2016, the BBC reports. A third of those remaining have had their hours reduced and at least three councils have at least halved their supply since 2016. Many of these libraries provided additional services besides book-lending, including literacy clubs, computer access, and warm spaces for people struggling with fuel poverty in winter.
9.3.24
Julian Lucas writes for the New Yorker about the novelist Danzy Senna’s humorous approach to the way biracial people are presented, questioned, overlooked, and exoticized in America. “The worst version of me would be writing about biracials in a respectful way,” Senna told Lucas. “I get to make fun of us incessantly.”
Week of August 26th, 2024
8.30.24
The Poetry Foundation has announced the schedule for ECOS, a three-day festival celebrating Latine poetry in Chicago from September 26-28. The literary events will be free and bilingual, presented with the North River Commission (Albany Park), the National Museum of Puerto Rican Arts and Culture (Humboldt Park), and the National Museum of Mexican Art (Pilsen). ECOS takes its name from the Spanish word for echoes and commemorates Chicago’s history of cultivating Latine poetry.
8.30.24
In a 120-year retrospective on the New York City subway as literary muse, the New York Times highlights archival photographs and literary quotes from authors such as Sylvia Plath, James Baldwin, Edith Wharton, and Ralph Ellison.
8.30.24
Six major publishers, the Authors Guild, and several best-selling authors have teamed up with students and parents in Florida to file a federal lawsuit challenging the state's new book banning law, Publishers Weekly reports. The complaint, which states that the law challenges the First Amendment, specifically takes issue with two parts of the law: one that broadly prohibits books in public schools that contain any content that “describes sexual conduct,” and another that bans books that contain allegedly “pornographic” content “without consideration of the book as a whole, as the Supreme Court requires.”
8.29.24
In an interview with Electric Literature, author Samuel Kọ́láwọlé discusses his novel, The Road to the Salt Sea, and the validity of depicting violence on the page. “Art does not exist in a vacuum, and artists live in a real world where people are confronted daily with violence and its consequences,” he says. “Since violence is part of our collective experience and consciousness, shouldn’t it also be part of our art?”
8.29.24
The National Children’s Book and Literacy Alliance (NCBLA) is spearheading a new project called Empowering Young Writers, Publishers Weekly reports. The series of slideshows and educational resources, collected from over 500 children’s books, illustrate various writing elements and techniques for students in fourth to ninth grade. The online tools are available for free, and designed to support teachers, librarians, and parents.
8.29.24
Bookshop.org has launched a new buy-back scheme called Bookloop for secondhand books that allows customers to trade in books they own for credit on the retail website, The Guardian reports. Books traded via Bookshop.org will not be sold on Amazon-owned websites, and royalties gained will be distributed to authors via a shared author fund through the Society of Authors and the Authors’ Licensing and Collecting Society.
8.28.24
Stanford University recently laid off twenty-three lecturers in their creative writing department in one Zoom meeting, Inside Higher Ed reports. The deans who relayed the news said that the decision came from senior professors of creative writing. In an official statement, Stanford said that the original Jones fellowships were intended to be “limited, fixed-year teaching appointments,” but that the department has changed since the fellowship’s inception in the 1940s. Tom Kealey, a lecturer who has taught at the University for two decades, said the program grew from offering 20 or 25 classes to over 120 classes in the last fifteen years. The lecturers advocated for raises, which they were granted, in September 2023.
8.28.24
Percival Everett’s James, a reworking of Mark Twain’s The Adventures of Huckleberry Finn from Jim's perspective, is among the finalists in fiction for the 11th annual Kirkus Prize, the Associated Press reports. Other nominated titles include new novels by Richard Powers and Louise Erdrich; nonfiction works on abortion rights, the Iraq War, and the space shuttle Challenger tragedy; and a picture book by Jason Reynolds. Winners in each category, to be announced on October 16 at a ceremony in Manhattan, will receive $50,000.
8.28.24
Ann Regan, editor in chief of the Minnesota Historical Society Press, is retiring on September 3 after a 46-year career, Publishers Weekly reports. When asked why she stayed at the book publishing division of the Minnesota Historical Society for her entire career, she said, “Working in regional publishing is deeply satisfying. I go home every day knowing more about the place where I live.”
8.27.24
Leonard Riggio, who transformed book retail and publishing by building Barnes & Noble, has died at age 83 “following a valiant battle with Alzheimer’s disease,” the Associated Press reports. In 1971 Riggio purchased Barnes & Noble’s name and the company’s flagship store on lower Fifth Avenue in Manhattan. By the end of the 1990s, an estimated one of every eight books sold in the U.S. were purchased through the chain. By the early 2010s, however, Amazon had overtaken Barnes & Noble, and by the time Riggio retired in 2019, independent booksellers regarded the chain as an ally in the fight against Amazon to keep physical bookstores alive.
8.27.24
Alexandra Marshall reckons with writing about her husband’s suicide in LitHub, exploring the diverging demands of fiction and memoir when narrating trauma. Marshall writes, “[B]y embracing sorrow, and in refusing the easier option of denial, a greater opportunity is created: the transformation of grief into love.”
8.27.24
JRR Tolkien’s long-lost poetry will finally be made public, the Guardian reports. Seventy previously unpublished poems will be included in The Collected Poems of JRR Tolkien, to be published by HarperCollins next month.
8.27.24
Addie Tsai writes in Electric Literature about the failure of Frankenstein adaptations. Tsai critiques contemporary films, Poor Things and Birth/Rebirth, writing, “What these Frankensteins, and by that I mean the Creators of these adaptations, miss in the act of imbuing their own Creatures with life is that it was never the physical fact of them that made them monstrous. It was in the Creator’s refusal to contend with his own egoistic failure that caused him to spurn his own creation.”
8.26.24
Hettie Jones, a poet and writer who nurtured the Beats, has died at age 90, the New York Times reports. She and her husband, LeRoi Jones, published their literary friends before he disavowed their marriage and became Amiri Baraka. Ms. Jones was the author of twenty books.
8.26.24
In an opinion essay for the New York Times, Margaret Renkl writes about the vitality of the print book in her home. She emphasizes that she is in favor of every kind of reading (and all the formats books can take), but that she will always prefer the physicality of a print copy.
8.26.24
The final publishing industry sales estimates from the Association of American Publishers for 2023 are in, and sales fell .8 percent from 2022, Publishers Weekly reports. Sales had increased 6.1 percent between 2019 and 2023, a decent performance, but below the overall inflation rate. In 2023, sales of audiobooks jumped 18.2 percent. As several industry members have predicted, sales of digital audio are poised to pass e-book sales (which only rose 2 percent in 2023).