Writing Prompts & Exercises

In the 2023 horror film No One Will Save You, written and directed by Brian Duffield, a young woman named Brynn finds herself fighting off aliens who have invaded her home. In the course of the movie’s entire ninety-three minutes, Brynn speaks only five words. Instead of relying on dialogue, the building tension in the story is propelled by the facial expressions and body language of actor Kaitlyn Dever and the physical constraints of the premise—the lonely and isolated protagonist, shunned by the locals, needs to stay quiet as she confronts the alien invaders. Taking a cue from this concept, write a lyric essay that looks back on a stressful or tense event from your past. Focus on observations of actions, objects, surroundings, and people—including facial expressions and perceived emotions—and try to forgo inner monologue. What can you accomplish with primarily physical descriptions?

“The jacket doesn’t have many wears left. Its small fissures have become large ones. Its fading has become even more pronounced. And yet, I am putting it through the rigors of my living,” writes Hanif Abdurraqib, about a 1978 vintage Bruce Springsteen nylon jacket he procured, in a piece published for the Yale Review’s “Objects of Desire” series, in which writers “meditate on an everyday item that haunts them.” This week compose a poem about one such haunting object in your life. Abdurraqib describes being drawn to vintage clothing because it is a way of “extending the life of an item that someone else decided they were finished with” and “a bridge from one existence to another.” Is there a beloved item of yours with a history? Think about how you can play with diction, rhythm, and formatting to express why you hold on to this object.

“Most pennies produced by the U.S. Mint are given out as change but never spent; this creates an incessant demand for new pennies to replace them,” writes Caity Weaver in an article published in the New York Times Magazine about the wasteful production of pennies. “A conservative estimate holds that there are 240 billion pennies lying around the United States…enough to hand two pennies to every bewildered human born since the dawn of man.” Write a short story that imagines a different life for the copper-plated coin, perhaps a universe in which all dormant pennies are suddenly used or an attempt to collect and dispose of them is put into place. What would propel your characters to care about the worth of a penny?

“The writing comes not with the then and then and then of narrative time driven by the hierarchy of information that plot demands, but with the and and and and and of parataxis. Everything is equal all together and all at once,” writes Jennifer Kabat in her debut memoir, The Eighth Moon: A Memoir of Belonging and Rebellion (Milkweed Editions, 2024), which combines the author’s musings on her relocation to the rural Catskills in New York with historical documents and research about the Anti-Rent War between tenant farmers and landowners that took place in the region in the early nineteenth century. Take a deep dive into a historical event that took place where you live and write an essay that attempts to bridge your own experiences and memories of your locale with the past. Inspired by Kabat, experiment with alternating back and forth through different time periods, point of view, and verb tense for a sense of simultaneity.

Can what was once lost still be found? The Search for Lost Birds, a global partnership between the American Bird Conservancy, Re:wild, and BirdLife International, was founded in 2021 to shed a light on species of birds that are deemed “lost,” meaning that there has been no documented evidence of them in over a decade, but that they may still exist. Researchers from the organization recently published a paper in the journal Frontiers in Ecology and the Environment citing over one hundred “lost” bird species with the majority in danger of extinction. Jot down a list of items that have been lost to you over the years, perhaps including both physical objects and intangible things, and compose a poem that incorporates your list. How might you play with the order of items, punctuation, line breaks, sound, and rhythm to express the experience of loss?

In the documentary Yintah, directors Jennifer Wickham, Brenda Michell, and Michael Toledano chronicle how Wet’suwet’en First Nation have been fighting to protect their unceded territory in northern British Columbia for decades, most recently in protests and blockades against pipeline developments. The film spanning more than a decade of conflict captures the spirit of Wet’suwet’en resistance in the face of Canadian government policies and police invasions, and their fight for the survival of the land itself. Write a short story that revolves around a group of people who are beset upon by unjust policies, and explore the values and priorities of each side. How do strengths, weaknesses, advantages, and disadvantages play out?

In Stories Are Weapons: Psychological Warfare and the American Mind, published by W. W. Norton in June, author and journalist Annalee Newitz chronicles the ways storytelling can be wielded as a manipulative tool to further political agendas and steer cultural perspective, through advertising, influence campaigns, and mass media. In the first chapter Newitz discusses how Sigmund Freud’s theories help sell products: “Advertisers began to study psychology to figure out ways to manipulate the unconscious minds of consumers,” she writes. “They would lure consumers in with emotional appeals or by associating a product with some political ideal like freedom.” Write a personal essay about a time when you were persuaded by a narrative—whether it be a story told to you by a friend, foe, colleague, family member, or even an advertisement. Were you able to separate from your unconscious mind and gain a fuller perspective on the situation?

William Carlos Williams’s multi-volume, mid-twentieth-century poem Paterson is purportedly inspired by the works of his contemporaries: James Joyce’s Ulysses, Ezra Pound’s The Cantos, T. S. Eliot’s The Waste Land, and Hart Crane’s The Bridge. Through his subject—the former mill town of Paterson, New Jersey—Williams provides a voice for American industrial communities. A launching pad for other artists’ work, the book inspired Jim Jarmusch’s 2016 film Paterson, about a bus driver and poet named Paterson in the city of the same name, and Robert Fitterman’s book Creve Coeur (Winter Editions, 2024), set in the segregated suburbs of his eponymous Missouri hometown—an illustration of contemporary America that mirrors the structure of Williams’s postwar epic. Write a poem that draws on specific observations of your neighborhood to express a wider perspective on life in the twenty-first century. Incorporate street names, local landmarks, and history as well as tidbits of everyday conversation.

In Michael Ondaatje’s 1992 Booker Prize–winning novel, The English Patient, four main characters—a young Canadian army nurse, an Indian Sikh working as a British military engineer, a thief, and the eponymous patient—find themselves at a bombed-out Italian villa toward the end of World War II. Through a convergence of sections that weave in and out of time, between the past and present, and told through the characters’ various points of view, the story comes into focus. Write a short story that takes place in a vivid locale where a small group of characters has converged. Experiment with telling the story from multiple perspectives, and alternating chronology. In Ondaatje’s novel, the nonlinear storytelling reflects the effects of war trauma—how might time in your story work on a thematic level?

“When I say I have written from the beginning, I mean that all real writers write from the beginning, that the vocation, the obsession, is already there, and that the obsession derives from an intensity of feeling which normal life cannot accommodate,” said the late Irish author Edna O’Brien in a 1984 interview for the Paris Review’s Art of Fiction series. O’Brien, who died last Saturday at the age of ninety-three, was the author of a series of novels beginning with The Country Girls, which were internationally acclaimed but banned in Ireland. Her work included memoirs, biographies, and plays, many of which revolved around intimate stories of women’s experiences of love and loss. Write a lyric essay that responds to O’Brien’s sentiment about being drawn to writing from “an intensity of feeling.” Does writing serve in some sense as an outlet for expressing something that seemingly can’t fit into the strictures of normal life?

In Divya Victor’s poem “Blood / Soil,” which appears in her collection Curb (Nightboat Books, 2021), she writes about Sureshbhai Patel, a man who had traveled from India to visit his son and infant grandson in Alabama and was assaulted by police for alleged suspicious behavior while taking a neighborhood stroll. As she describes the physical encounter, Victor includes Newton’s laws of motion and experiments with the visuals of typography and spacing in her incorporation of quotations to draw attention to movement and a sense of confrontation between bodies and language. Write a poem inspired by a news incident that feels resonant to you and provokes a strong emotion. Consider adding bits of science, research, or reported dialogue that might help create a more expansive, interpretive angle.

This week, in preparation for the upcoming opening ceremony of the 2024 Summer Olympic Games in Paris, consider the Olympic creed: “The important thing in life is not the triumph, but the fight; the essential thing is not to have won, but to have fought well.” Write a short story that revolves around a competition of some sort—whether between friends, enemies, strangers, or within a liminal relationship of some kind. Decide between a contest of mental or physical abilities, or a battle of wills. Are there high stakes or is the contest seemingly inconsequential? Does all go as planned or is there a surprising upset? Think about your characters’ respective perspectives on the spirit of competition, and what constitutes as fighting fairly.